At the time I was still in my hometown, so all the songs were basically written in my bedroom with laptop, keyboard and earphones.
In a certain sense, this EP is something that comes way before what Mote is: in fact, lately its completion convinced me about the path to take with this project.
I haven't really planned anything about it, the whole year has been fairly troubled and my mood kept on waving daily so ultimately i've ended up with a huge amount of semi-improvised material written in scattered/sleepless nights. Every time it felt like pulling something out of my head and placing it in a frame so it could firmly stay there.
With no lyrics or straight references in the music itself, what i see in them stays implicit and as a consequence, the journey between the songs is always personal for the listener.
As a totally untrained musician i've always been extremely unconfident about what i write: yet today i think that this is the biggest limitation that i'm fighting against. Taking my first compositions out of that bedroom after all of this time represents a big challenge, it took me quite a while to accept it.
I wish these frames will show something to the listeners and, hopefully, that they'll find more feelings and colours in them that i could even except.
M
credits
released November 11, 2013
released 11 November 2013
All music by Mote.
Mastered by Wil Bolton
license
Some rights reserved. Please refer to individual track pages for license info.
An album that paints glorious dreamscapes, delivered via pensive echoing piano, swirling keyboards, choir voices, and light atmospheric details that add significant mood and poignancy. Michael Reilly
Originally composed for the stage, this dystopian jazz suite galvanizes AI-related anxieties into powerful, unsettling explosions. Bandcamp New & Notable May 13, 2020
Himmelsrandt achieves a magnificent suffusion of Modern Classical and Post-Rock on this track. As the song progresses so does the tension. Harmonic yet visceral is how I would describe the overall magic that is track VIII, Gary Figueroa